In order to compete with commercial CDs, you need to make it loud. While traditional compressors operate across the entire frequency range, the Multiband Compressor splits the incoming audio signal into 4 user-determined frequency areas so that compression can be applied selectively to each. Use the Multiband Compressor plug-in for frequency-specific compression to achieve an even higher level of control over the mix use. Typically, you should not exceed a 3:1 ratio. Use the Dynamics Processing plug-in with a compression ratio of approximately 2:1 (a standard setting to give a mix "punch"). Use one of the following compression tools to control the dynamic relationship between the quietest and loudest parts of a mix and the relative output: Don't boost or cut more than 3db in any one band (with the exception of cutting the 250hz range if your sound is very muddy). 60hs-80hz (bass, 45hs and below from sub-bottom)īy boosting or cutting these frequencies in very small increments, you can tailor your sound with a variety of narrow and broadband Q. Use the Parametric Equalizer (plug-in) to adjust the following frequencies: If you plan to use a limiter (such as the Hard Limiter) or mild compression on your final mix, then you may benefit from accentuating some key frequencies in the compression process. For more information, see "Converting back to 16 bit, 44100, Stereo" below. If you begin at 24 bit or higher, do not convert your material until the final stage of production.
However, 32 bit does extend dynamic range somewhat and may be worth the conversion if you have ample hard disk space and you are familiar with noise shaping curves and dithering selections. Adding minor EQ or limiting in 32 bit doesn't noticeably benefit most recordings. If you recorded into Adobe Audition at 16 bit and you remain in the digital domain, you do not need to increase the bit depth to 32 bit unless you need to do extensive noise reduction. Try both to determine which sequence works best for your material.įor more information about the Mastering Rack, see the Audition User Guide, Chapter 7: Applying Effects (page 110). Note: The Parametric Equalizer functions optionally either pre-dynamic or post-dynamic. Parametric Equalizer (see "Post-Dynamic EQ" below) Stereo Expansion (see "Stereo expansion" below)ĥ. Hard limiter (see "Limiting/ceiling" below)Ĥ. Either Dynamics or the Multiband Compressor (see "Dynamics" below)ģ. Parametric Equalizer (see "Pre-dynamic EQ" below)Ģ. As a starting point, add the following plug-ins to the Mastering Rack in this order:ġ. To use the Mastering Rack, import a two-channel stereo mix into the Edit view and choose Effects > Mastering Rack. The Mastering Rack, a new feature in Audition 2.0, allows you to apply multiple plug-ins to your material in Edit view and then preview the results in real time. This is pretty much the Cool Edit Version of Adobe Audition's but takes the professionality out of the the way you do it. Then look at the boxes where the tracks are connected to and click FX. and bring it back up into the mix and mute everything but it and the beat. In this help system, you will find all that you need to productively employ the program.First Mixdown the completed Vocals (Acapella) of the song as Wav.
If you are an experienced user you will surely be amazed to discover the infinite possibilities which the software offers in the fields of Digital Image Enhancing and Computer Graphics. Using the Help system, you can turn form a beginner to an experienced user (in no time at all!). This help system will guide you step by step into the wonderful world of Digital Image Enhancing.
If you are an inexperienced user (beginner), who knows how to work with common programs working under the Windows Operating System, you can easily begin to work the program, intuitively without any worries. This Help Guide has been written with the purpose of guiding you through the program and helping you benefit the most out of the program, as well. Click for many more tutorials, cool stuff, effects and much more